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Tint goes from a -50 green to a plus 50 magenta. Handy for fixing footage shot under tungsten lighting for example. We would assume the numbers are a close match to the Kelvin scale, the range is from 2500 to 10,000. We also like the temperature control, which is very handy to warm a shot up without having to negotiate the wheels. Or show only one wheel if space is limited, should you be editing on a laptop for example. Holding down the Option key 'gears down' the control in use.Īpple spend a lot of time designing the GUI and have made the decision for the user to have the option to display all 4 wheels in a diamond shape. The new wheels are very easy to use, especially with the saturation control on the left of the colour wheel and the luminance control on the right. The choice for the default colour tool to show when hitting CMD 6 can be found in the Editing Preferences. The new tools are in addition to the Colour Board and can be used in conjunction with the board and in any order. You will not lose any colour grading moving projects to 10.4. The Colour Board still exists, will still work and will contain all the grades from previous projects. It is obvious the moment you start to use the new controls that a lot of thought has gone into the design and operation.

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We like the new colour tools, in fact we like them a lot and our impression using them has been of a very, very grown-up version of the Premiere Pro Lumetri panel. Using 10.4, the Optical Flow analysing took only 27 seconds.

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But.įCPX and Motion now use Metal to analyse Optical Flow, so back to the test bench.Ī 12 second 1080p clip from a Canon 5D stretched to 50% using Optical Flow took 1 minute 7 seconds to analyse each time we tried with 10.3. So no real change when it comes to rendering. The results were 9 minutes 39 and 9 minutes 40 seconds. We then loaded up 10.4 as per the instructions above and repeated the test. The results were 9 minutes 48 and 9 minutes 45 seconds. We timed the render twice, clearing the render files and restarting the app every time. This was all performed on a latest edition Kabylake MacBook Pro 2.9 GHz Intel Core 7, 16GB of RAM and a Radeon Pro 560 4GB GPU.

So there was quite a lot going on including repositioned and shrunk 4K material. There was also a Broadcast Safe effect on an overall adjustment layer. It contained a chromakeyed 4K (not UHD) progressive video composited over a moving background with a drop shadow, all in 1080i. We rendered out a short 1'15" sequence in 10.3 before upgrading to 10.4. Is there a performance increase with 10.4? Yes and no. No major GUI changes apart from the 360 viewer options and the new colour controls. Convert project types - Project/Title/Effect/Transition/GeneratorĪs you would expect, FCPX has had the most new features added.New camera import plugins from RED and Canon available.

NFS Protocol support for Libraries & Source Media.

New XML 1.7 includes colour grading, 360 and VR information.

New Retina Display GUI for Logic Pro Audio Plugins.

Import iMovie for iOS Projects and Titles.

Optical Flow now uses Metal for improved performance (See test).

White Balance Picker in Balance Colour Effect.

New Splash Screen with direct access to help documents.

There are three major new features in Final Cut Pro X 10.4 Having got that out of the way, let's take a look at the list of new features in the apps! You do need to be running 10.12.4 or later, the current version of Sierra is 10.12.6. Label it up as FCPX 10.3 and keep it somewhere safe.įinal Cut 10.3 and 10.4 cannot exist on the startup disk together, renaming or moving the apps doesn’t work.ĭo you need to run MacOS 10.3 High Sierra? No, the updates will run perfectly on Sierra 10.2, but the HEVC features will not be available. You’ll have a small wait whilst the new app runs through events and projects doing what it has to do.īut before even downloading the updates, it is a really good idea to zip up the old apps and put them all in a folder.

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All apps are a free update to existing customers, the prices on the store for new purchases stay at $299, $49 and $49 respectively.īefore we start with the list of new features, it's important to run over some advice about updating.ĭo we really need to tell you to have copies of everything before updating to the new versions? Or don't upgrade in the middle of an important project? Probably not, but we will reiterate the advice of making copies of Libraries for one good reason.ġ0.4 needs to update old Libraries before working with them. We publish information on the new features, the test results, the recommendations and the gotchas.Īpple has released Final Cut Pro 10.4.

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We take a look a the new features of Final Cut Pro X, Motion and Compressor and put the software through some tests. The updates we have been waiting for are finally here.